Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. George Russell’s book, The Lydian Chromatic Concept of Tonal Organization, first published in, was the first theoretical contribution to come.

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Its purpose is to provide a road map of the musical universe that tells you where all the roads are, but does not tell you which cincept to take. Are there any connections drawn in The Concept between music and psychology? It must be understood that the answers here are short and to the point. This page can be read either as one continuous article from beginning to end, or you can click on a specific question and link to its answer. He has given russsell in this work around the world and has personally guided countless private students.

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The Major Scale is known as a diatonic meaning: Skip to content Introduction A question or two: What is the aim of the Lydian Chromatic Concept? Lydian Chromatic Concept of Tonal Organization published It comes out of a communal experience.


George Russell’s book, The Lydian Chromatic Concept of Tonal Organizationfirst published inwas the first theoretical contribution to come from jazz, and was responsible for introducing modal improvisation which resulted in the seminal lydiaan of Miles Davis’ “Kind of Blue.

Why is the Lydian Scale of paramount importance in this Concept? The recently published edition of the Concept goes into great depth and discussion concerning the historical and acoustical foundations underlying the Concept. As the player ventures further from the Lydian tonic however and further up the circle of fifthsthe tonal gravity shifts. He wrote stuff like that and it was incredible. By using this site, you agree to the Terms of Use and Privacy Policy.

The Lydian Chromatic Scale is the most complete expression of the total self-organized tonal gravity field with which all tones relate on the basis of their close to distant magnetism to a Lydian tonic.


It has existed in a state of continual evolution since the early s. Now, of course, there is much more to the Lydian Chromatic Concept than this.

Simply put, the basic building block of tonal gravity is the interval of the perfect fifth. Miles took his musicians into the studio for the first of two sessions for Kind of Blue in March, Who can most benefit by studying the Lydian Chromatic Concept? Vertical, Horizontal, and Supra-Vertical. There are 3 states of tonal gravity: The art and science of tonal gravity Fourth Second printing, corrected, ed.


Are there any historical and acoustical foundations underlying the Concept? Russell’s theory has had far reaching effect especially in the realm of modal jazz. Since it’s publication, condept have been scores of books on the market which have “borrowed” bits of the Concept’s information, but there is only one original.

Lydian Chromatic Concept

George Russell’s Lydian chromatic concept of tonal organization. It is with pride and pleasure that we present this fourth and final cincept.

If you could sit down and write stuff like that out The principal aim of Vhromatic Concept is to grasp the behavior of all musical activity i. Artists most often describe the process of creativity in transparent and intangible terms. Russell’s root scale follows the natural overtone series and runs from C to C with F sharp, rather than the customary F natural of the rusesll scale.

Andy Wasserman is one of only a handful of people selected, certified and sanctioned by George Russell to represent his work exactly as he intended it to be taught and shared. The Concept is heard in music all around us.